I’d like to share some rejected song titles for a piece I’m working on.
I’ve fallen in love with the Internet Anagram Server from Wordsmith.org.
My beer fridge finally gave up the ghost. I had a bunch more stickers to put on it but when it ended up out on the porch, I figured something like this was bound to happen. I had a Death sticker with the Sound of Perseverance album cover that faded to white and then completely fell off a few weeks before the malfunction.
I’ve just found a review of Mithradatium on the site Recent Music Heroes, but I’m a little rusty in my Estonian. The google translation misses a few phrases but overall it seems to be a favorable review.
Cheers!
All I can say on this right now is two words: Terror Lotion.
Triangulation is a song that was written a few years back for a random-topic songwriting contest. It was produced in FL Studio, which unfortunately does not have a surround mixer.
I exported all of the mixer channels to their own tracks so that I could import them into Audition. Keeping everything at unity gain, this gave me the stereo mix which I could then mess around with in Audition’s surround panner/encoder module.
The channels are shown relative to a circle with the listener at the center. The white dot shows where the sound source is to be placed, and the blue-shaded area gives you an idea of the coverage area and what’s coming out of the speakers. Audition does not have any way to record mixer automation, so from here on it was a matter of using the mouse to give the individual tracks room in the 5.1 mix. I was able to draw in some automation curves with the pencil tool, so one is able to give these elements some motion. I had originally low-passed the master-track to give me something for the LFE channel, but it turns out that there is a slider to control how much signal goes to that channel.
Here’s the finished product. Higher fidelity version.
The Audition surround panner can do nearly everything I’d like, but is a pain to use in that you need to have all your tracks (including effects sends) printed and ready to mix. I have quite a few MIDI devices with joysticks and X/Y pads, but I don’t seem to be able to use them with this DAW.
Two tracks from Caustic Reverie were featured on the Temple of Despair radio show Unknown Pleasures last week. The program is available to stream or download from here.
Last.fm’s servers took a shit during the weekend I spent uploading my tracks and it took their customer service about a week to get through the backlog and get back to me. I’ve reuploaded the songs and I’m hoping they’ll stick this time. Watch this spot.
I’ve been toying with the idea of a CR album in surround and I did a quick 5.1 mix of Vigils as a proof of concept. I’ll share the link once I get a chance to hear the mix on a decent setup and make sure I didn’t blow the LFE channel all the way to hell.
Two more framejobs: Nine Inch Nails – Year Zero
The second one is a limited lithograph of the cover art from The Incident.
I got to do a phone interview with one of my favorite musicians: Steven Wilson of Porucpine Tree, Bass Communion, Continuum, Blackfield, IEM, and a solo artist. We talked about his new album, remastering King Crimson’s classics for surround sound, and what to expect from the upcoming Orphaned Land album ORwarrior. If all goes well, the tour should take him back in this neck of the woods around the spring of 2010.
I’ve been enjoying the surround mix on the latest Porcupine Tree album The Incident, not to mention the hardcover book of photography that is a part of the deluxe edition. Very cool stuff. 
