Category Archives: TheForgotton

Triangulation re-release and video

Originally written in 2008 for a songwriting contest, Triangulation has a sort of electronic/jungle-fusion vibe. And more like the rainforest jungle than the D&B subgenre. I’m in the process of remastering some of my previous TheForgotton work and this made an obvious first single.

I animated the video with the help of some stock footage and clips I found through Pexels.com.

Sub Luna remaster

An early graphic design project. So sue me.

Sub Luna album art


I’ve remastered and rereleased my 2008 album of synthy space ambient Sub Luna. This was previously released as TheForgotton, a musical handle that I’ve chosen to abandon mostly due to the fact that every single search engine in the world keeps trying to autocorrect my intentionally archaic spelling.


Available for purchase from:
Google play
iTunes
Amazon

An experiment in tape-treating

Here’s part of a retro-inspired tune I’ve been working on, possibly for NMRIH.
Even though I had tried for some classic FM and modular synth tones, ThoughT had commented that the production sounded too clean and modern-sounding. Enter the tape recorder.

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I had this bad boy back in 2000 when I started college at UM. I had replaced it with a Minidisc player shortly after the semester started and the recorder ended up in storage for almost fifteen years. Discussing ways to give my song an older grunge reminded me of its existence.


This first attempt was done by re-recording the output of the cassette player into my Zoom. The higher synth notes would vibrate the sides of the speaker and distort, not to mention the added noise from the tape player mechanism. Not ideal, but worth trying.

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I tracked down the right cable to go out from the headphone jack and into the line-in on the H2 for this next version. I recorded the parts to tape separately, did a touch of noise reduction to keep the hiss from getting out of control, and mixed them down into this.
Before tape:

After tape:

I started to notice a bit of a timing drift on the percussion tracks by the end of the track, which means I may need to treat smaller portions and edit them back into the grid. I doubt I’d use this technique on everything, but it can help add a lot of sonic character, especially when you’re going for an older feel.