Our latest single was released in December, featuring guest vocals from Flora Lin.
Sumptus Ignis – The Hive
Leave a reply
Tag Archives: music
No Response released
I’ve been messing around with something more synth-based lately. The song is called No Response and ended up becoming somewhat of a sci-fi/cosmic horror experiment lyrically. It was a mix of VST synths and drum programming, recorded electric bass, and some analog synths from my Deepmind 12D.
Cataclysmic Requiems released
Scavengers
Scavengers is one of the pieces I wrote for an upcoming No More Room In Hell level. There are a few different versions of it that will play in-game based on whether the player is exploring, in active combat, or if we’re at the end-game finale.
2024 update
Sumptus Ignis released a new single near the end of last year entitled Serene that will be part of a song-cycle that might turn into its own EP or album.
I’m not sure if it was human error or a technical gremlin, but the release date was accidentally processed as if it were 1/5/24. This really screwed up my promo workflow, so no teasers, videos etc. were ready. We have several more new songs in the works but one of our members hit a snag with his recording rig so production has been on hold.
In soundtrack news, I’ve been working with music related to No More Room In Hell again. The first single is called Scavengers and will be out April 5th.
Sumptus Ignis – The Unforgettable
My metal band Sumptus Ignis has just released a new single called The Unforgettable.
Chamber Drones preview
The new Caustic Reverie album comes out this Friday. Here’s one of the tracks, the companion piece to Charlière.
Caustic Reverie – Xenolith video
Chamber Sketches released
I’ve just released an EP of orchestral music called Chamber Sketches. The pieces started as writing exercises while I was exploring some symphonic sound libraries from Spitfire Audio.
The Flooded Assembly’s first review
Mike from Avant Music News has published the first review of my upcoming Caustic Reverie album.
“The Flooded Assembly is a haunting and ominous offering, with stark drones, quiet passages, organ-like synth, and slowly evolving sounds. The textures are airy but dark, with Schurman carefully using space to set moods…”